Born 1971, in Chicago
Lives and works in New York
Solo Exhibitions (selected):
2017 Past-Life, Marlborough Contemporary, London, UK.
2016 Realisms, The State Hermintage Museum, St. Petersburg, Russia.
2015 Garden, Marlborough Chelsea, New York.
2014 New Gravity, The Davis Museum, Wellesley College, Massachusetts.
2013 Stephane Simoens contemporary fine art, Knokke, Belgium.
White Flag Projects, Saint Louis, Missouri.
A Human Echo, Bergen KUnstmuseum, Bergen, Norway..
2012 A Human Echo, ARoS Kunstmuseum, Aarhus, Denmark.
Windows, Walls & Mirrors, Leo Koenig Inc., New York.
2011 Kunsthalle Bethanien, Berlin.
2010 Mise en Abyme, Stephane Simoens Contemporary Fine Art, Knokke, Belgium.
The Constant Now, Andrehn-Schiptjenko, Stockholm.
2009 The Idiot, Gary Tatinsian Gallery, Inc., Moscow, Russia.
Tony Matelli, Green Gallery, Milwaukee, Wisconsin.
Abandon, Palais de Tokyo, Paris , France.
2008 Self-portraits, Stephane Simoens Contemporary Fine Art, Knokke, Belgium (with Philip Akkerman).
The Old Me,Leo Koenig Inc., New York.
2006 Abandon, Centre d'Art Santa Monica, Barcelona, Spain.
Andrehn-Schiptjenko, Stockholm.
2005 Leo Koenig Inc., New York
Fucked, Galerie Emmanuel Perrotin, Paris, France.
2004 Fucked and The Oracle, Kunstraum Dornbirn, Austria.
Abandon, Kunsthalle Wien, project space, Vienna, Austria.
2003 Sies + Hoeke, Düsseldorf.
Total Torpor, Mad Malaise, Andrehn-Schiptjenko, Stockholm.
The Happy Lion (Leo Koenig, Inc. & Galerie Michael Janssen),
Los Angeles.
2002 Emmanuel Perrotin Gallery, Paris.
Gian Enzo Sperone, Rome.
Gian Enzo Jr., Rome.
Bailey Fine Art, Toronto.
2001 Leo Koenig Inc., New York.
2000 Sies + Hoeke, Düsseldorf.
Ten in One Gallery, New York.
Torch, Amsterdam, Holland.
Gone, Galerie du Triangle, Bordeaux, France.
1999 Abandon, University of Buffalo Art Gallery, Buffalo, New York.
Andrehn-Schiptjenko, Stockholm.
Basilico Fine Arts, New York.
1997 Basilico Fine Arts, New York.
Ten in One Gallery, Chicago.
Group Exhibitions (selected)
2017 Concrete Island, Venus, Los Angeles.
2016 Forever, BUBOX, Kortrijk, Belgium.
2014 Another Look at Detroit, curated by Todd Levin, Marlborough Contemporay, New York.
Gary Tatintsian, Moskow.
2013 Cultural Freedom in Europe, European Economic and Social Committee, Goethe Institut, Brussels.
2011 December (organized by Howie Chan), Mitchell-Innes & Nash, New York, NY.
2010 Hyping the Real, Stephane Simoens Contemporary Fine Art, Knokke, Belgium.
Buy-Sellf, CAPC, Bordeaux, France.
Just Love Me, Regard sur une collection Privée, MUDAM, Luxemburg.
Don’t Piss on Me and Tell Me Its Raining, APEX Art, New York, NY.
Feest der Herkenning, Internationaal Realisme, Kunsthal Rotterdam.
Realismus; Das Abenteuer der Wirklichkeit, Hypo Stiftung, Munchen, Germany (catalogue).
2009 Realismus; Das Abenteuer der Wirklichkeit, Kunsthalle Emden, Germany (catalogue).
N’importe Quoi, Musée d’art contemorian de Lyon, France (catalogue).
Chasing Napoleon, Palais de Tokyo, Paris, France.
New Media, Stephane Simoens Contemporary Fine Art, Knokke, Belgium.
2008 Evolution, Max Lang, New York, NY.
Esculturismo, la Suma de Todas, Madrid, Spain (catalogue).
Attention to Detail, curated Chuck Close, The FLAG Art Foundation, New York, NY (catalogue).
2007 Betes et Hommes, Grande Halle de la Villette, Paris, France.
2006 New, Stephane Simoens Contemporary Fine Art, Knokke, Belgium.
Into Me/Out of me, KW Institute of Contemporary Art, Berlin, Germany.
5.000.000.000 d'annees, Palais de Tokyo, Paris, France.
Galerie Anne de Villepoix, Paris, France .
2005 Baroque and Neo-Baroque. The Hell of the Beautiful, The
Domus Artium 2, Centre of Contemporary Art of Salamanca,
Spain The Most Splendid Apocolypse, P.P.O.W. Gallery, NYC
It'll Cost You, curated by Beth Rudin DeWoody, Kathleen
Cullen Fine Arts, LLC, NYC
Figure It Out, Hudson Valley Center For Contemporary Art, Peekskill, NY.
H.C.Anderson 2005, AroS Aarhus Kunstmuseum, Aarhus, Denmark
Self Preservation Society, Leo Koenig Inc., New York, USA.
Leaving Cockaigne, Leo Koenig Inc., New York, USA.
Gary Tatintsian Gallery, Moscow, Russia
The Altoids Curiously Strong Collection, Consolidated Works, Contemporary Arts Center, Seattle,
WA, Blue Star Art Complex, San Antonio TX.
2004 Editions Fawbush, Sandra Gering Gallery, New York, USA Contemporary Western Art Gary
Tatintsian
Gallery Inc. Moscow, Russia.
Me, Myself and I, Schmidt Center at Florida University, Boca Raton Florida, USA.
Mystery Achievement, Taxter&Spengemann, New York
I am the Walrus, Cheim & Reid, curated by Jan Avigkos, New York.
The Uncanny, Tate Liverpool, UK, Curated by Mike Kelley
Beautiful Grotesque, Riva Gallery, NYC
Making Visible, Gallery Faurschou, Copenhagen.
Metamorphosis, John Michael Kohler Art Center, Sheboygan, Wisconsin, USA.
Ten Commandments, Hygiene Museum, Dresden, Germany.
Altered States, Leo Koenig Inc., New York.
Five Billion Years, Swiss Institute-Contemporary Art, New York.
2003 Instructions, Kunsthalle Wien, curated by Gerald Matt Vienna, Austria.
One Hundred Artists, One Hundred T-shirts, Daniel Silverstein Gallery, New York.
Narcissus, CRAC Alsace, curated by Hilde Teerlinck Altkirch, France.
The Fourth Sex, Museum of Contemporary Art, Chicago, curated by Francesco Bonami, Chicago.
Liquid Sky, FRAC, curated by Marc Olivier Wahler, Dijon, France.
There's always tomorrow, with Nicole Eisenman, Jeff Elrod, Torben Giehler, Galleria Marabini,
Bologna, Italy.
2002 Artemis, Greenberg, van Doren Gallery, New York.
Leo Koenig Las Vegas, Neonopolis, Las Vegas.
The Dubrow Biennal, Kagan Martos Gallery, New York.
2001 Vrai que Nature, CAPC, Bordeaux, France.
The Americans, Barbican Gallery, London.
Come on, feel the noise, Asbaek, Copenhagen.
SQUAT, Smart Project Space, Amsterdam
2000 The Greenhouse Effect, The Serpentine Gallery, London.
Climbin' The Walls Thinking It Might Be A Way Out, Robert Birch Gallery, Toronto.
Baberg, Matelli, Schabel, Paul Morris Gallery, New York.
Tomorrow, RareArt Properties, New York.
Nothing, Andrew Kreps, New York.
Greater New York - New Art in New York Now, P.S.1 Contemporary Art Center, Long Island City,
New York.
Small World, MOCA, San Diego, La Jolla.
Over the Edges: The Corners of Gent, curated by Jan Hoet, S.M.A.K., Gent, Belgium.
1999 Holding Court, Entwistle, London.
In the Public Realm, Public Art Fund, New York.
True West, curated by Jason Murison, PPOW, New York.
Contemporary Public Sculpture, organized by the Public Art Fund, Brooklyn.
1998 Beyond the Monument, organized by the Public Art Fund, Metrotech Center, Brooklyn.
Yesterday Begins Tommorow, Bard College for Curatorial Studies, curated by Francesco Bonami,
New York.
Pop Surrealism, Aldrich Museum, Connecticut.
Spatiotemporal-Works from the Collection 1988-1998, Magasin 3 Stockholm Konsthall, Sweden.
Pollution, Claudia Gian Ferrari Arte Contemporanea, Milan, Italy.
1997 To be Real, Center for the Arts at Yerba Buena Gardens, San Francisco.
Bring your own Walkman, W139, Amsterdam.
1996 Clarity, Northern Illinois University, Chicago.
1995 Thesis Exhibition, Cranbrook Academy of Art, C.A.A. Art Museum, Bloomfield Hills, Michigan.